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Plato Dreaming, Cell Dividing #1;
(Prophase),
oil on canvas,
3' x 4',
2005
Collection of the Artist, $5,700 framed
The division of the cell made life possible. In order to produce offspring, an organism must be able to self-replicate. Without cell division, there would be no multicellular organisms. Cell division is the primary life cycle.
In this series, a goddess of cell division has been created. She is modelled after the greek goddess of necessity, Ananke, and a dream Plato had about her.
Depiction of the cycle of life is a prevalent theme in mythology. Cyclic greek characters appear across the bottom in sepia tones, such as Persephone and her mother Demeter in this painting. Persephone spends half the year on earth and the other half in the underworld with Hades. Her mother causes the seasons based on Persephone's appearance and absence. The cell is intact here, and so Demeter and Persephone are united on earth.
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Plato Dreaming, Cell Dividing #2;
(Metaphase)
oil on canvas
3' x 4'
2005
Collection of the Artist, $5,700 framed
Ananke was a weaver, goddess of necessity and mother of the fates. In Plato's dream, she spins threads out from her spinning wheel in the sky, and sends them down to capture and reel in souls standing on earth.
Her threads are like the microtubule fibres that are created when a cell divides. They grow from the centers of activity, one on each side of the cell, and attach to chromosomes lined up at the center. Each half of the cell will get its own set of chromosomes. The setting sun symbolizes the degrading nucleus, which disappears during the cell division process.
The birth of the cyclic character Dionysus is shown across the bottom. His life represents the cycle of the grape in greek mythology.
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Plato Dreaming, Cell Dividing #3;
(Anaphase)
oil on canvas
3' x 4'
2005
Collection of the Artist, $5,700 framed
The goddess of cell division is now reeling up souls into the sky, like chromosomes would be drawn to the sides of a dividing cell. The cell is becoming pinched at the middle, in preparation for division into two separate cells.
A scene from the life of Dionysus is pictured across the bottom. His female companions will soon rip his likeness into pieces in their frenzy.
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Plato Dreaming, Cell Dividing #4;
(Late Anaphase)
oil on canvas
3' x 4'
2005
Collection of the Artist, $5,700 framed
The souls (chromosomes) are now at the opposite ends of the cell - a set for each side. The nuclei are returning, appearing as the rising moon and sun.
As the cell rips apart, it pinches dramatically at the waist. A scene from the death of Dionysus is pictured across the bottom left. An image symbolizing his eventual rebirth, Dionysus as a bunch of grapes, is on the right. |

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Plato Dreaming, Cell Dividing #5;
(Telophase)
oil on canvas
3' x 4'
2005
Collection of the Artist, $5,700 framed
The cell has now divided into two cells.
Across the bottom, Persephone is picture with Hades. The divided cell reflects her thoughts of living in two different worlds. |
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The Life Forms Series
Dawn of the Double Helix
oil/mixed media
18" x 25"
2003
This one will be an enhanced digital print. The owner of the original could not be reached.
Human figures form this double helix, with one strand of people right side up and the other strand with their heads upside down. This reflects the actual configuration of the molecular building blocks that come together to form DNA. At the center, they grip hands and feet, but this bond is broken and rejoined all the time as the DNA is being read by worker molecules or replicated during the division of the cell. The cooperation and flexibility, as well as the three dimensional organization of the building blocks in the structure of DNA are reflected in the contorted poses of the individuals engaged in their dance.
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Base Pair
oil/mixed media
18" x 24"
2003
Collection of Dr. Sam Dychter
These two figures represent one wrung of the ladder in the double helix structure of DNA. Like a base pair of DNA, one figure has its head up and the other is upside down. Both faces would look out of the canvas at us, with one head up and the other down, in the actual molecular structure of the base pair.
The discovery of the structure of DNA was fraught with tension between the scientists involved, which is also reflected in the strain between the figures. They must let go at some points in the life of the cell to allow the information they contain to be read by other molecules in the cell, or to be replicated for cell division.
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RNA in a Modern World
oil/mixed media
24" x 33"
2003
Collection of the Artist, $2,600 framedo
RNA is a structure much like DNA, but the building blocks are slightly different. This allows RNA to take many forms other than the double helix. Primitive figures make up the structure in this painting, as RNA may be a much older molecule, capable of self replicating and doing work in the cell - things DNA does not seem to do, or be as capable of doing.--
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Rise of the Alpha Helix
oil/mixed media
18" x 24"
2003
Collection of Drs. Devavani Chatterjea and David Matthes
Human figures depict a helix structure found in proteins. Bright reds and yellows evoke the high energy surrounding molecular structures. Proteins are the work horses of the body. The building blocks of proteins contain unique sidechains that project out into the world, like the flowers in the hands of the figures.
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Figures in a Beta Sheet
oil/mixed media
18" x 24"
2003
Collection of Drs. Devavani Chatterjea and David Matthes
Human figures in a protein structure called a beta sheet. This is like a wall of protein. A field of side chains, like flowers in the hands of the figures, come out of this wall. The attraction or repulsion between different flowers causes this wall of protein to either stick or shy away from other proteins and molecules.
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Kimonos of the Senses for a Japanese Tea Ceremony
Sense of Taste Kimono
oil/mixed media
36" x 42"
2005
Collection of the Artist, $5,300 framed
The microscopic cells that make up the pattern on this kimono painting are based on three-dimensional microscopic images of taste cells from a frog.
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Sense of Smell Kimono
oil/mixed media
36" x 42"
2005
Collection of the Artist, $5,300 framed
The imagery in this painting was inspired by views of the microscopic cells inside the nose that receive smells.
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Sense of Hearing Kimono
oil/mixed media
36" x 42"
2005
Collection of the Artist, $5,300 framed
The inspiration for the design of this kimono came from anatomy of tiny parts of the inner ear. The spiral shape is called a cochlea, and is the place where actual hearing takes place in the ear. The small elongated diamond like shapes are called otoliths, which means ear stones. They are part of our system for detecting how fast we are moving.
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Sense of Hearing Kimono
oil/mixed media
36" x 42"
2005
Collection of the Artist, $5,300 framed
The sun-like image at the top is inspired by what the human retina looks like through a camera focused inside the eye. The image across the bottom is a stained cross section of the cells at the back of the eye responsible for seeing, which includes the rods and cones.
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Sense of Hearing Kimono
oil/mixed media
36" x 42"
2005
Collection of the Artist, $5,300 framed
Featured in this Kimono are cells and neurons related to the sense of touch.
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A Taste of India
oil/mixed media
36" x 42"
2004
Collection of the Artist, $5,300 framed
This painting contains molecular representations of the receptors of each type of taste; sweet, sour, salty, bitter, and umami (a more recent addition to our list of types of taste we experience, which is somewhat like a savory receptor that detects things like monosodium glutamate, a flavor enhancer often used in Asian cooking). The central object is a taste bud from a fish. It is no longer believed that these different taste sensations occur on discreet parts of the tongue, but that they are distributed all around the tongue.
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Three paintings on Nanotechnology
Nanotechnology I
oil/mixed media
20" x 24"
2005
Collection of Dr. Chris Cullander
The artist's first look at DNA which had been made to form a cube took her by surprise, and it was immediately obvious to her that it was a breakthrough, a window into something that would be important to our future. The DNA cube was the first structure to be synthetically produced as a candidate for scaffolds onto which molecular machines could be mounted. Nanotechnology is the science of making and using molecular sized machines. Although it seemed at first like a science of the distant future, it now looks as though these machines will become a reality in our lifetime.
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Nanotechnology II
oil/mixed media
3' x 4'
1992
Collection of Mr. and Mrs. Newdoll
Formation of the DNA cube. Along the way, a ladder is formed. A perfect nanotechnology machine and scaffold would also be able to destroy itself when necessary, and build itself back up or create more of itself.
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Nanotechnology III
oil/mixed media
20" x 24"
1992
Collection of Dr. Nadrian Seeman
The DNA cube, nanotechnology scaffold.
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